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In a square room, panels equipped with loudspeakers hang from the ceiling. A generative system with 16-channel audio produces a perpetual soundscape. In regular cycles, samples are stored in the system, ready again as a starting point for the next run. In this way, the system continues to evolve over generations.
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The sound of stroking a radiator was combined here with a modified drum machine. The video layer shows the surface of a lake, interrupted by vertical black lines and overlaid by noise images caused by an analog tube TV. The symmetry and asymmetry of image and sound was investigated.
Four CD players play different tracks randomly. They are thereby in an endless loop. Over the entire duration of the exhibition, the soundscape is constantly recombined.
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My static works are stored here. They are inspired by physics, mathematics and technology and focus on vibrations, resonances, feedbacks, deposits and noise.
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At this live performance, which lasted about 30 minutes, a contact microphone was attached to a fluorescent tube. The sound was processed with effects and mixed live with field recordings.
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The audio material of generative processes was processed for this purpose and compiled into 10 tracks. These ambient cinematic soundscapes are like an empty promise, have no beginning as well as no end.
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Together with Liwaii Keller this real-time video performance was performed. The video material used was self-made with different liquids and digitally edited.
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For an exhibition was created 21 drawings, with graphite on paper (64 x 64 cm). For the frottage technique was made a plate of gibs with a wave-like structure.
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